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AI and Swedish Heritage Organisations: challenges and opportunities
Anna Foka
AI & SOCIETY
This article examines the challenges and opportunities that arise with artificial intelligence (AI) and machine learning (ML) methods and tools when implemented within cultural heritage institutions (CHIs), focusing on three selected Swedish case studies. The article centres on the perspectives of the CHI professionals who deliver that implementation. Its purpose is to elucidate how CHI professionals respond to the opportunities and challenges AI/ML provides. The three Swedish CHIs discussed here represent different organizational frameworks and have different types of collections, while sharing, to some extent, a similar position in terms of the use of AI/ML tools and methodologies. The overarching question of this article is what is the state of knowledge about AI/ML among Swedish CHI professionals, and what are the related issues? To answer this question, we draw on (1) semi-structured interviews with CHI professionals, (2) individual CHI website information, and (3) CHI-internal...
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Artificial Intelligence. New Pathways Towards Cultural Heritage
Hendrik Rohland
Proceedings of the 25th International Conference on Cultural Heritage and New Technologies, Vienna 2020, 2022
The 25th international Conference on Cultural Heritage and New Technologies took place in 2020 in the city hall of Vienna under the headline “Artificial Intelligence – New Pathways Towards Cultural Heritage”. The contributions deal with the application of computational approaches in all fields of cultural heritage, with a special emphasis on the utilisation of “Artificial Intelligence”. The topics include Remote Sensing, Data Acquisition and Modelling, and Methods for the analysis and presentation of digital data in archaeology and cultural heritage. The volume also contains Abstracts on the round table discussions held and the posters presented at the conference and a special session which was dedicated towards the 25th anniversary of the conference.
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Low-code and ai-augmented Code for an Archaeological Database: Arkas 2.0
Benjamin Štular
Research Data Journal for the Humanities and Social Sciences, 2024
This data paper presents Arkas 2.0, a national research database and research infrastructure containing data on all archaeological sites and monuments in Slovenia. The new database is a hybrid cloud microservice built on low-code platforms (Caspio and ArcGIS Experience builder) and augmented by generative ai (ChatGPT-3.5). The data paper describes the Arkas 2.0 dataset and how it fits into the research context by discussing the challenges archaeologists face in setting up and curating datasets and the associated digital infrastructure. In response to these challenges, the data paper highlights the benefits of low-code platforms and ai-augmented code for archaeological research. It also describes the Arkas 2.0 development workflow, its new data structure, and its archiving process. The data paper concludes by suggesting that the use of low-code platforms combined with generative ai can democratise access to cutting-edge digital research infrastructure, bringing positive disruption to archaeology and the humanities. Keywords: sites and monuments database; digital archaeology; digital humanities; low-code; ai-augmented code; ChatGPT; Caspio; ArcGIS Experience builder
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Book of Abstracts of the Digital Humanities in the Nordic Countries 5th conference. Riga, 20–23 October 2020
Anda Baklane
2020
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AI and Heritage: A Discussion on Rethinking Heritage in a Digital World
Milos Todorovic
International Journal of Cultural and Social Studies, 2024
It is widely understood that cultural heritage represents a dynamic phenomenon: it is created in the present by us ascribing value to material or intangible inheritance from the past, we know that different past societies cherished such remains much like us, and what constitutes it changes over time. And yet, up until the present, it was implied that these things that we inherited and value have been made by humans. With the rise of generative AI programs, that is no longer a given. We already have programs capable of producing works that get a lot of praise and even win art prizes, like the case of Théâtre D'opéra Spatial, and this is just the beginning of the current AI revolution. These developments with AI are already challenging our established views, legal frameworks, regulatory systems, and many other things in our society. Because of that, this article aims to provide a brief overview of how our notion of what constitutes cultural heritage changes and explore why these developments are different from previous inventions and why they pose a challenge to our established views on cultural heritage, in the hope of opening up a discussion on what constitutes heritage in an increasingly digital world.
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Artificial Intelligence for Cultural Heritage Artificial Intelligence for Cultural Heritage
Francesco Mele
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Reflecting on artificial intelligence and archaeology: the ArchAIDE perspective.
Gabriele Gattiglia
European Journal of Post Classical Archaeologies, 2022
The ArchAIDE project realised an AI-based application to recognise archaeological pottery, developing two deep learning algorithms to propose identifications based on images captured on-site while retaining key decision points necessary to create trusted results. One method relies on the shape of a potsherd; the other on decorative features. Developing the project meant facing challenges related to real-world archaeological data, deep learning techniques, ethics, epistemology, and hermeneutics. The project is still alive and moving towards long-term sustainability, which involves new challenges.
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Using AI to Access and Experience Cultural Heritage
Lora Aroyo
2009
Abstract The digital age is transforming cultural heritage in methods of both creation and preservation. Whereas once we collected objects such as books, sculptures, statues, and paintings, we now also face the preservation and the archiving of digital artifacts. These might be digital representations of physical objects or purely digital creations that are culturally significant and worthy of preservation in their own right, such as interactive works of art, blogs, or even the World Wide Web itself.
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ITINERA Project-Information Technologies for Valuation, E-Learning and Research in Archaeology
Giuliano De Felice
archeologia.unifg.it
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Talk - "New software and technologies applied to documentation and communication of Cultural Heritage"
Filippo Diara
Conference on Cultural Heritage and New Technologies (CHNT)” meeting on Vienna (Austria) from 11 to 13 November 2013, 2013
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